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'My
Papa's Waltz'
Beryl
Clarke, Contributor
Today,
instead of continuing our exploration
of Beka Lamb, we are going
to examine another poem. I have chosen
to do so because like Ana,
with which we have already dealt,
this one, My Papa's Waltz,
has a child as a central character.
There is at least one obvious difference
between them though. Do you know what
I'm talking about? Think now! Who
is the speaker in each poem? Whose
point of view do we get?
'My
Papa's Waltz'
The
whisky on your breath
Could
make a small boy dizzy;
But
I hung on like death;
Such
waltzing was not easy.
We
romped until the pans
Slid
from the kitchen shelf;
My
mother's countenance
Could
not unfrown itself.
The
hand that held my wrist
Was
battered on one knuckle;
At
every step you missed
My
right ear scraped a buckle.
You
beat time on my head
With
a palm caked hard by dirt,
Then
waltzed me off to bed
Still
clinging to your shirt.
Theodore
Roethke
I
have enjoyed many lively discussions
on this poem as it lends itself to
various interpretations. Now, please
remember that your opinion of any
literary work is as valid as that
of anyone else but it must be based
on the facts of the work. You must,
therefore, spend time to understand
the meaning of the words and the effect
of the devices used in this peice,
by Theodore Roethke, or with any other
writer whose creative efforts you
are studying.
The
basic 'story' here is that of a father
and son moving around the kitchen,
somewhat erratically, but dancing
together. You will agree that their
movement could not have been smooth
for the speaker's father had been
drinking alcohol and was, therefore,
not very steady on his feet. The intention,
however, is made clear by the use
of the word waltz. The father wanted
to spend time with his son. By the
way, do you think that the poem can
be read to the rhythm of a waltz?
Try it nuh! A couple from your study
group can move to the rhythm while
others read the poem aloud.
Father
and son move around the kitchen with
vigorous action to the extent that
the pans on the shelves are disarranged.
The mother is not amused; rather,
she appears to be upset and whether
this is because she is unhappy with
her husband for drinking or for the
energetic way in which they dance
or because she thinks that her husband
is being too rough in his interaction
with their son is a matter for you
to consider.
The
father's hand is described and we
can see that he does manual work.
His palms are coarse and caked with
dirt and one knuckle is battered.
The son, in recalling this incident,
tells us that they romped - suggesting
that they had fun together. Finally,
the father takes his son to bed. The
child is still hanging on to his father
tightly as they go to his bed. Why
does he? Is this for the same reason
as when they were dancing?
My
Papa's Waltz consists of four
stanzas, each with four lines which
rhyme alternately. In other words,
it has a regular rhyming pattern -
abab in each verse. As in Ana,
the father loves his child, or does
he? Your answer depends on how you
interpret his actions. What is clear
is that if we accept that papa loves
his son, we must realise that the
fathers in these two poems have different
ways of demonstrating their affection.
Of course, there is nothing wrong
with this.
Have
you looked carefully at the title?
It is not 'Our Waltz' or even 'The
Waltz' or 'A Father and Son Waltz'.
No. The name of this poem points to
an action that is linked specifically
to the father. He relates to his son
by dancing with him and when you look
at the word waltz and think of the
action that it suggests and the connotation
of closeness and intimacy then you
cannot help but conclude that the
speaker remembers the waltz as a sign
of the love his father had for him.
In
the next lesson we will continue to
reflect on this engaging poem. Be
reminded that you, with the Lord's
help, can achieve all your goals through
diligent application. Simply put,
you must work hard. God Bless!
Beryl
Clarke is an independent contributor.
Send questions and comments to kerry-ann.hepburn@gleanerjm.com |