|
'My
Papa's Waltz' continued
Beryl
Clarke, Contributor
Some
of us treat opportunities like sand.
We
fill our hands with it, and then let
it slip through our
fingers
until it is gone.
(Borrowed)
Please
do not waste the educational opportunity
that you now have, even if you are
faced with challenges and difficulties.
Let
us now turn our attention to 'My Papa's
Waltz'. In the previous lesson, mention
was made of the fact that the father
had been drinking some strong liquor,
it was whiskey, but it was more than
just a drink or two. He seemed to
have been reeking of alcohol, so much
so that narrator/speaker says that
the 'breath' was enough to make him
'dizzy'. We do not know whether his
father is a habitual drinker (of alcohol),
but he appears to have had a substantial
amount on this occasion. He was quite
likely staggering and this would have
encouraged his child to grip him fiercely
so that his erratic movements would
not dislodge him, as happened with
the pans on the shelf.
The
next verse includes the information
of the mother being unable to remove
a frown from her face. Have you decided
why this is so? I did suggest earlier
that you should find a reason. It
is clear that she is not enjoying
the interaction between her husband
and their son, although the child
is having a good time. These point
to a difference in perspectives. Do
you remember that while the child
in 'Ana' was having fun lunging at
her father and sometimes scratching
him, her father was unhappy and only
tolerated her behaviour because of
his love for her?
The
third verse describes the pair of
clumsily moving 'dancers'. The focus
is placed on the father's hand and
his inability to maintain his balance
(you know why). We learn that one
knuckle is battered, which raises
the question of whether he had been
in a fight or if this was the result
of hard physical work.
The
speaker gives us an impression of
their respective positions when he
informs us that a buckle scraped his
right ear each time his dad missed
a step. There is a particular question
that students have often asked concerning
the buckle. Is it a belt buckle or
a buckle on his overalls that scrapes
the child's ear?
The
speaker must have felt some hurt but
it did not cause him to release his
tight hold on his father. It is interesting
to note that he says that it was his
ear that scraped the buckle and not
the other way around. It causes one
to wonder whether he does not wish
any blame to fall on his father.
In
the last stanza, the boy is taken
to his bed. I hope you noticed that
though Dad was beating time on his
head, his son did not want to let
his father go; another bit of evidence
that he was enjoying their 'game'.
We need to bear in mind that they
would have been dancing to a rhythm
held in the man's head. He could have
been humming so it is not surprising
that he was keeping time by 'beating'
on his son's head. Here, also we have
evidence that Dad was a manual worker,
perhaps a farm hand or a farmer who
was involved in the tough work on
his land.
It
seems obvious that he had not taken
time to clean up before spending time
to play, thus his palm is caked hard
with dirt. Perhaps, when he came home,
his son was about to go to bed and
he just grasped the opportunity to
spend time with him.
Last
week I gave you the rhyme scheme for
the first quatrain. Let me just confirm
the others; you must have worked them
out by now.
| Second
stanza: |
cdcd |
| Third
stanza: |
efef |
| Fourth
stanza: |
ghgh |
The
rhythmic pattern is iambic trimetre;
that is, there are three sets of weak/strong
beats in each line.
x
/ x / x /
The
whis/key on /your breath/
Weak/strong;
weak/strong; weak/strong.
As
we close this week, I want you to
know that some critics of this poem
believe that its theme is child abuse.
Please consider their view carefully.
Have
a wonderful week and God bless!
Beryl
Clarke is an independent contributor.
Send questions and comments to kerry-ann.hepburn@gleanerjm.com |