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Do
you know Beka Lamb?
Beryl
Clarke, Contributor
Beka
is known as a liar, a thief and a
phony. Her mother has assisted her
to stop the lying; she has discontinued
the practice of taking money from
her father's pants pocket and does
not like being called phony. Previously,
we examined the school's influence
on the girls in making them false
but we must also accept that Beka
puts on airs because she considers
her family to be superior to many
of those among whom they live.
Her
other faults include putting off doing
her chores and not taking her schoolwork
seriously enough to be successful
during her first year in the second
form because she is lazy. It is her
failure to pass second form and the
threat of not being allowed to continue
her high school education that caused
her to examine her position and to
question the future she would have
if she does not have the opportunity
to go back to St Cecilia's. By observing
how she goes about cleaning the attic,
being careful to do her best and not
even stopping to look at old copies
of the Jamaica Gleaner, we are able
to conclude that she has started to
make positive changes. But it is in
her reaction to Toycie when she finds
out that her friend is pregnant that
we see that Beka is really maturing.
Even if we overlook her attitude to
Emilio and her warnings before Toycie
becomes an expectant mother, we cannot
ignore how she rushes to her assistance
when she vomits in assembly and willingly
cleans up the mess. On their way to
school that morning we could see that
there was a shift in their relationship
as it is Beka who physically supports
a weak and seemingly ailing companion.
From
here on, Beka behaves as if she is
the older 'sister', offering comfort
and advice and acting with a sense
of responsibility that she has not
displayed in earlier times. When Toycie
had to return home early, it is Beka
who realises that she would be alone
at home and makes the effort to have
Miss Eila informed of this development.
She accompanies Toycie to see Emilio
outside the Catholic church because
she wants to prop her up. Do notice
that as part of her growth Beka notes
that she is not following her mother's
directions but goes with Toycie because
she knows that her friend needs her
support. There is an incident at this
point between Father Mullins and Miss
Arguelles that further shows that
Beka is changing. Where formerly she
would have been amused by Miss Arguelles'
vulgar action, this time she is embarrassed.
Her
role as the stronger one in their
friendship
is maintained as the story unfolds.
She is the one who tries to comfort
Toycie after Emilio's rejection, declaring
her love, suggesting the likelihood
of a future reconciliation between
Toycie and Emilio, and even making
plans for herself and Toycie to live
together and bring up the child when
he is born. She recognises the mental
and emotional state that her friend
is in and tries to cheer her up. As
a true friend, Beka stands ready to
help her despite her situation, and
although Toycie withdraws into herself,
she does not give up on her but tries
to reach her in order to do what she
can for her. She understands Miss
Eila's pain and mourns for Toycie
as she deteriorates mentally. It is,
however, part of her growing up that
leads to her doing well enough in
the essay competition to make her
a winner.
At
the end of seven months in Beka's
life we can see obvious changes, signs
of improvement. While she is outspoken,
she has learnt to keep silent sometimes
instead of rushing into intemperate
speech as she used to do. She understands
more clearly how a woman's life can
break down, not only through her own
foolish choices but because of the
larger circumstances that confront
her. She has reversed her role with
Toycie, giving advice and comfort
when possible; she no longer creates
trying and stressful situations for
her parents and through diligent research
and hard work she has proven her ability
to succeed by organising the folk
song segment of the programme planned
for the Mother Provincial's visit,
topping the essay competition and
passing second form.
You
need to spend some time contemplating
the role of the other women in the
story as well as the social and racial
aspects of Belizean life as presented
in the book. I would like you to think
about the writer's style or how Zee
Edgell tells the story. For this,
you must consider the language used,
including her use of Creole, imagery,
historical and political references
and symbols.
Please
remember that we do not learn much
by talking - we learn by listening.
God
bless!
Beryl
Clarke is an independent contributor.
Send questions and comments to kerry-ann.hepburn@gleanerjm.com |